For years I would go back and forth. Doing work as a facilitator for organizations that made a difference alternating with time in the studio. I would make bridges between them when I could. Using experiential creative techniques in training. Building websites or making posters for organizations.
One of the driving forces behind my starting my current business VisualsSpeak is to make a difference with my art. In a more integrated way.
Some of the most powerful changes occur when a group of people come together, each with their unique gifts and offer what they can to the effort. I feel particularly blessed, because my customers are AMAZING. They make differences across different occupations, groups, organizations, cultures, and causes.
When I can create something, even a tiny thing, to help them do their work better, I can help make a difference that ripples out into the world.
Here is one of my amazing customers, Mari Alexander. She is a therapist and physicians assistant who also does diversity and intercultural consulting. When she isn’t raising her two teenage sons, she is involved with running a non-profit Safe Passage to Motherhood. The goal of this org is to save the lives of mothers and babies in the developing world.
I’ve written about Mari and Safe Passage to Motherhood before. I’ve been working with her for several years. She uses our products in most of her various work roles.
When Mari saw the artwork I was doing for Art Every Day Month two years ago, she saw the potential it has for working cross-culturally. We began discussing some of the challenges she was trying to overcome working in Bware Kenya.
We knew VisualsSpeak worked to help many of these issues, but we needed to provide images that would work in the context. Moving away from photographs and toward paintings, allowed me to focus on sparking more general human ideas. I adjusted some of the images to darker skin tones, and sent them over to Kenya in 2010.
kBware women sharing stories about paintings
When people began sharing stories inspired by the images, there was a recurring theme about feeling empowered. The women had learned to identify birth emergencies and how to teach others to do the same. They had an important role and message. Those feelings weren’t the norm before. They kept hearing women saying they were becoming someone.
The Home Based Life Saving System that was being taught to the villagers is a series of five visits, ideally delivered in 18 months. In the past it has cost other groups hundreds of thousands of dollars to send trainers from the US into the developing world. Safe Passage to Motherhood has never had that kind of money. It has operated on donations from the family and friends of the group in Portland Oregon. Part of the work has been to show that you can effectively operate the program with far less money if you have volunteers and relationships to draw from. The limited resources has meant the work has been spread out over a longer timeframe. The final visit starts next week.
The group in Bware has been very successful. The small group trained by one midwife from Portland has now reached over 15 thousand other people to spread the word about how to identify birth emergencies and get those women to the help they need. As many as 1 in 16 women die in childbirth in Aftica.
There have been no maternal deaths in the village since the program started.
Mari has been reminding the group that they needed to think about how they were going to raise money to support the ongoing work into the future. Safe Passage to Motherhood has been providing training materials and subsidizing ground transportation. It’s a tiny amount of money on US standards, but a lot in rural Kenya. She kept reminding them of the stories they told about how strong and resourceful they were becoming.
When Mari returned to Kenya in the spring, the women had been working on ways to raise money to support spreading their work to surrounding villages. They noticed when groups gathered in the village most people sat on the ground or on benches. Many of the meetings would go on for several hours, and it wasn’t comfortable.
They decided to buy chairs and rent them out. With the money they raised from the chairs, they bought dishes. After all, they were really good at cooking for the Safe Passage Training events. They were saving to add a tent for their new catering company. The Portland group was more than happy to contribute the rest of the funds they needed. The tent arrived the day after they returned to the US.
Did art make a difference here? Maybe. Most likely it has been a whole series of inputs from a huge network of people. What I know is I love watching my customers make friends with others in the developing world, and use my images to help see how they can work together more effectively. I love helping this tiny group in Portland raise a couple of thousand dollars so they can fly to Kenya as medical volunteers and unleash an incredible passion for helping make others lives better.
The fifth trip to Bware Kenya is next week. Two midwives will be going to conduct an assessment of the effectiveness of the program. I know they are short several thousand dollars of their transportation costs. I also know they like to be able to buy medical supplies to leave in the village when they are there, and there are no funds for that this time.
I’ve watched this group do amazing things with tiny budgets. If you can, please join me and make a donation
Donate to Safe Passage to Motherhood
I’m really excited that the trainers in Bware have requested their own sets of images to use in future programs. So this year for Art Every Day Month, part of what I am doing is making those sets. It feels really good to be using my work this way. Just a small piece of trying to make a difference in others lives in some small way.
Grassroots efforts like this rely on sharing the stories of the good work. Can you share it with your networks using the buttons below? Thanks!
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My vision for AEDM 2011
Two years ago was my first Art Every Day Month where I started creating the artwork for a project called Exploring New Options. At the time, my company VisualsSpeak only used my photography to spark insights and conversations, and the tools were all printed sets of images. I had a sense that I could get deeper insights and more emotion if I added artwork to the tools.
I continued to paint for the project in 2010 while testing the processes and image combinations. We decided to develop an online tool, which was a whole other level of development. This year the online tool, the ImageCenter became available, and so far I have developed six decks of images for use in the web tool:
I spend most of my time just doing the day to day operations that need to get done to keep the business operating. I struggle to make time to create, although at this point it is a daily practice for the most part. Just not always the kind of art I want to be making, often it’s what needs to get done. I’ve been mulling over various things I could do for the month, but nothing has seemed totally right yet.
Recently, we created a free self guided process on our online tool to help people get a vision for their work. I used it to create the image above (with the words added afterwards for this post.) I worked quickly to get beyond my thinking mind, to see what else I could uncover about what is important to me.
It was fairly easy to say what the images meant, and to make the list next to the images. Some of it is obvious, like making tools for the journey. I was surprised to see the mask and invisible image. Haven’t I gotten over that yet? Or will that always be part of my story as an artist? Maybe this is calling for me to redefine it off and find a new way to relate to my work.
I was surprised to see the images of the tools showing up as the only photographs,even though my newest work incorporate the paintings. I have the sense this image will continue to offer me insights over time. I can feel tension in my heart as I look it over, always a sign it has more to say.
Reflecting more on what I created leaves me with these questions to explore next:
If you’d like to explore the vision for your work for free on our ImageCenter, you can sign up below. Or get more information about it here.
I’m also very fond of Daniel Smith watercolors. I like the intense colors, and the feel of the paint. Not to mention the unique colors you don’t find anywhere else, many of which have good light fastness.
Daniel Smith makes try it dots sheets of their paints. Some are packaged with their learn to paint kits. They also have a sheet of 66 colors to try. Perfect for my color chart project.
I wanted more space than what is around the color dots, so I scanned the page into the computer. Using Photoshop, I deleted the color dots so I would have the information about each color. I was then able to print out another blank chart on watercolor paper. If you click on the image on the right above, you will get a full sized image you can print if you want to make one yourself.
My favorite part! I love seeing how each color behaves differently. The sheet isn’t just boring regular colors. It includes some of Daniel Smith’s Primatek, Quinacridone, Iridescent, Interference and Duo colors. The list of colors I lust after is growing….
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Citra Solv is a great natural cleaning product that can be used to make really interesting sheets of paper by dissolving National Geographic pages.Citra Solv runs regular art contests, the current one is about Fall-ing Into Art.
I started by scanning a piece of altered paper into the computer, adding some fall color, then layering a scan of a drawing of fall leaves.
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I started adding layers using Photoshop, drawing back into the image to better integrate the drawing and the background.
Finally I drew spots on the leaves to relate better to the texture of the Citra altered paper.
Entries are due November 21. Get out your citra solv and get creating!
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Created in Art Studio on iPad.
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Created in Art Studio on ipad. This type of pattern lends itself to iphones cases.
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Orange dots with yellow surrounds and brown connectors. Using the brushes to add lots of texture to the dots and background.
I thought this pattern was fun as an iPad skin.
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Playing with patterns, layer, lines and dots in Art Studio on iPad. As it formed it felt more and more like some kind of plant. Couldn’t decide if it felt more prehistoric or like it was from the future.
Here it is on an iphone 3 case. Almost makes me think for a moment about keeping my older phone— but I want the camera in the new iphone 4S
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Leaves on a dirt colored background created in Art Studio on iPad.
How about on a grocery bag?
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